Check this out -- especially Tammy :)

http://www.featureshoot.com/2014/08/grotesque-portraits-of-people-wearing-a-junk-food-face-mask/

Here's another thing

This is sort of hard to see.  Here is a detail

I like that these bubbles look like stars.   And sort of unrelated, (but now that I write it feels very related) I have been reading a lot about this Mars One  project.   And how weird/crazy/interesting it is that people are volunteering for a one way trip to Mars, which... is it even for real?  So, maybe I want to start making some work about Mars and false hope or hope... not sure.   And also a few months ago I saw the movie Gravity, of course.  

Here's something

What do you think, does the pink make these too vagina-y?
Also do you like the compositions where the tissue has more breathing room or the ones that are closer cropped?     I am also thinking about putting them all on one big canvas, but I can't really decide how to arrange them yet - but this would be another question...  are you liking them individual or would they be better as one large Pangaea tissue?  

I've been blocked for what seems like forever, so this weekend I made these drawings. I wouldn't call them "my actual work" but at least it's something. I made the third one over the summer, the other 2 this weekend.

Family Portraits

These images are sort of in a Freja ballpark.....

http://www.featureshoot.com/2013/06/family-portraits-composed-of-complete-strangers/

the ides

How is everyone?    Its been a while.   But I wanted to show you all some images that I have made in La Crosse, WI.   They are about the midwest, and March, and that lasting dirty snow, and the victorian era plays a role because it's furniture design and architecture are so visible here.  Hope everyone is great.  

Asger Carlsen

Really weird stuff today on photoeye email. Never heard of this person. "Honest take"?!

Asger Carlsen: Hester—Signed 

"Following the phenomenal success of Wrong, what could possibly topple the notion of truth and further question the photographic medium with all its tongue in cheek gusto and humorous horror. To answer, Asger brings us Hester, his honest take on the classic theme of the female nude. 

If the traditional nude occasionally intends to bare and reveal a final and ideal form through ad hoc stance or sculptural immortality, Asger revises the study of the female form to ultimately reveal the evolving terrain of photography and its standards of aesthetics and morality." —the publisher

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